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LARGE 19TH C.
PAINTING OF MT. TACOMA (RANIER) WITH INDIAN ENCAMPMENT
 [Painting]
American. American Naive School. MT. TACOMA UNDER A SCUDDING
SKY [Indian camp lower left in a wide landscape]. Oil on
canvas. 40 x 28" Gilt wood frame. c1870. Identified lower
right. Unsigned. Though primitive, the work of an artist of
ability with some academic training. The woods and sky are
particularly well rendered.
I.D.#13696.
ORIGINAL WATERCOLOR OF QUEEN VICTORIA'S ROYAL JUBILEE
COMMAND PERFORMANCE OF BUFFALO BILL'S WILD WEST SHOW
 [Print]
English. QUEEN VICTORIA AND OTHER CROWNED HEADS AT THE WILD
WEST SHOW [The Queen and royal party sits beneath a dias
before Buffalo Bill with hat off bowing on horseback, with
Indian behind dipping U.S. flag in salute, plus mounted performing Indians surrounded by banners of
foreign kings]. ink and watercolor. 22.5 x 15.25" Artist board.
London. (1887, June 19th). Original artwork of the command
performance accorded Colonel William F. "Buffalo Bill" Cody at
the 1887 Royal Jubilee by Queen Victoria.
I.D.#14549.
BY GILBERT STUART'S
GRANDSON
 [Painting]
American. J.E. Stuart. SUNSET MT. TACOMA FROM THE PUYALLUP
SALT MARSHES, WASHINGTON 1894. Oil on canvas. 10 x 14" Gilt
wood frame. 1894. Signed and dated lower left, title on reverse.
I.D.#13695.
Painting. English
School. W.S. Reynolds after W. Zielblond. THE OBOE PLAYER
[Rustic musician holding his instrument]. oil on canvas 16 x 20"
unframed, small puncture. England. c1920. Signed upper right.
I.D.#13828.
 [Painting]
American. D. Grubb, pinx. untitled. [Locomotive leaving depot
in a Western winter landscape.] aquatint on paper. 12 x 9.6"
Matted and framed. American. c1930.
I.D.#13886.
GRAND CANYON - LARGE
FRAMED U.P. RAILROAD PRINT
 [Print]
American. H. Raymond Henry (1882-1974). GRAND CANYON FROM
UNION PACIFIC GRAND CANYON LODGE [Terrace with balustrade
overlooks canyon]. Oleograph. 31.75 x 24" Original framing.
Slight damage upper left. Signed l.left, titled l.right. St.
Louis ?. c1930. Framed under glass. California impressionist.
The lodge was completed in 1928 and burned in 1932. An oleograph
is a photogravure printed on oilcloth to simulate an original
oil painting. This one is quite convincing. Large railroad
prints were published, framed and distributed to hotels and
travel agencies to display scenery along rights of way and
stimulate ticket sales. Attractive, they are quite collectible
today.
I.D.#14248.
DRAMATIC LARGE WWI
R.A.F. DOGFIGHT PAINTING BY ENGLISH ARTIST WHO PARTICIPATED
 Painting.
American. Alfred Owles, 1898-1978. DOGFIGHT W.W.1 [R.A.F.
fighters drive off a Fokker D-7]. Tempora on masonite 46 x
33.5" Custom framing by the artist? 1942? Alfred Owles was born
in Nottingham, England and died in Novato, California. An
aviation artist and illustrator who also did landscapes, his
illustrations appeared in Life, Look and Colliers magazines. His
smaller work were usually watercolors or mixed media on paper.
Paintings of this size are scarce. Said to have hung in a W.W.2
officer's club, the large black painted pine frame is reinforced
on the front with steel strapping and brass bosses. Owles was a
noted painter of aircraft and a pioneer microrealist in art.
I.D.#13815.
 [Painting]
American. Jack Ellis (of Miami). WEDDING DAY [girl sits
pensive in a surreal landscape]. Oil on canvasboard. 30 x
15" framed. 1945. Conscious imitation of the style of Salvador
Dali.
I.D.#13697.
ORIGINAL LANDSCAPE
BY NOTED PROFESSOR AND PAINTER
[Painting]
American. Lez Haas, b. 1911. Untitled [Desert horizon].
oil on canvas 24 x 27" signed middle right, Haas. Arizona.
c1955. Framed impasto, abstract. Lez Haas, painter and educator,
was born and resided in Berkeley, California and was active in
the 1930's in Tucson, Arizona. Professor of Art, Head of Art
Dept., Univ. of Arizona, 1947-1969. Op. cit. Who was Who in
American Art.
I.D.#14267.
LEE
CIRCLE/MONUMENT/STREET CAR IN RAIN/NEW ORLEANS
 Painting.
American. CITY SCAPE [streetcar passes tall monument near a
highrise building]. oil on canvas 24 x 32" Framed.
Contemporary. c1960a. Signed lower right: Dartz, Durtz, Dantz,
Dante? An
evocative city scene with lighted street car passing a very tall
columnar monument surmounted by a military figure in hat, coat
and sword (very reminiscent of the Robert E. Lee statue in Lee
Circle, New Orleans).
I.D.#13829.
 [Painting]
Spanish. Angel Pantajo. REMEMBERANCE OF BELCHITE [tile roofed
houses and narrow streets]. Oil on board. 40 x 28" Gilded
wood frame. c1970. Signed lower left. Done in varying
shades of gold. Though primitive, the work of an artist of
ability with some training. Belchite in southern Aragon was the
site of two ferocious battles in the Spanish Civil War. So
thoroughly destroyed it was left in ruins as a war memorial.
I.D.#13726.
 [Painting]
Rupert Johnston. American, 20th cent. BULL MOOSE IN ALASKAN
LANDSCAPE. oil on canvas. 25 x 33" Rustic framing. c1970.
Graduate in art, Univ. Southern Mississippi. Served in Air Force
as illustrator/technician in educational television. Judge,
Tri-State Art Show 1972.
I.D.#13741.
SOLD.
"CARTOGRAPHY"
PAINTING
[Print] American.
Oil painting signed "Marija". untitled. [still life of
cartographic items: wall map, globe, atlas, calipers]. Oil
on canvas. 16 x 12" Signed lower right.. Contemporary. c1992. In
period style framing.
I.D.#14077.
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